A pioneer of the French New Wave cinema movement, Jean-Luc Godard is one of the most influential filmmakers of the post-war era. This major monograph, published on occasion of Godard’s 1992 solo exhibition, Son+Image, at the Museum of Modern Art in New York, traces the relationship between Godard’s films, videos, video essays and television series made between 1974–92.
Edited by Raymond Ballour and illustrated with colour and black and white film stills, the publication includes essays by Jacques Aumont, Bel lour, Alain Bergala, Janet Bergstrom, Serge Daney, Gilles Deleuze, Philippe Dubois, Jean-Louis Leutrat, Elisabeth Lyon, Colin Myles MacCabe, Laura Mulvey, Constance Penley, Jonathan Rosenbaum, and Peter Wollen.